Sometimes those happy accidents really do shape a whole look. There's a reason distressed type and rough textures keep coming back around. A client once took my misplaced ink splotch and asked for a whole brand package based on that "grungy" feel. It taught me that controlled imperfection can read as very human and friendly. Now I'm way less scared when a first draft has some odd charm to it.
Isn't it wild how a client can see the potential in something you thought was a mistake? That exact thing has happened to me, and it really does change how you view "perfect" work. Sometimes the best stuff comes from letting go a little.
Wait, an ink splotch became a whole brand package? That's a huge leap from a simple mistake. Really makes you wonder what else we're throwing out too soon.